{"title":"G. Henle Verlag","description":"\u003cb data-mce-fragment=\"1\"\u003eG. Henle Publishers\u003c\/b\u003e is a German publishing house that specializes in \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Urtext_edition\" title=\"Urtext edition\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Urtext_edition\"\u003eUrtext editions\u003c\/a\u003e of \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sheet_music\" title=\"Sheet music\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Sheet_music\"\u003esheet music\u003c\/a\u003e. The collection includes works by composers from all different periods, in particular composers from the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Baroque_music\" title=\"Baroque music\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Baroque_music\"\u003eBaroque\u003c\/a\u003e to the early twentieth century whose works are no longer under copyright. In addition to its sheet music, G. Henle Publishers also produces scholarly complete editions, books, reference works, and periodicals.","products":[{"product_id":"haydn-complete-piano-sonatas-volume-ii","title":"Haydn - Complete Piano Sonatas, Volume II","description":"\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eAmong Joseph Haydn’s extensive oeuvre is an almost inexhaustible stock of piano sonatas. With altogether over 50 works, they form a significant segment of his overall output. One of this composer’s great achievements is that in these sonatas – as in many other genres, such as the symphonies and string quartets – Haydn bridges discrepant stylistic eras, and lays the founding stone for the classical piano sonata.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eVolume II comprises three groups of six sonatas which made Haydn accessible to the broad public in prints or professionally produced copies. The collections which stem from the 1770s contain some of the best-known and beloved piano sonatas of Haydn, including those in C major, D major and G major, Hob. XVI:35, 37 and 27. The most important is no doubt the last sonata in the collection, in c minor, Hob. XVI:20, whose intense passion and expressiveness already anticipate Beethoven’s boldness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cstrong\u003eTitles:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata C major Hob. XVI:21\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata E major Hob. XVI:22\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata F major Hob. XVI:23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata D major Hob. XVI:24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata E flat major Hob. XVI:25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata A major Hob. XVI:26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata G major Hob. XVI:27\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata E flat major Hob. XVI:28\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata F major Hob. XVI:29\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata A major Hob. XVI:30\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003ePiano Sonata E major Hob. XVI:31\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata b minor Hob. XVI:32\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata C major Hob. XVI:35\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata c sharp minor Hob. XVI:36\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata D major Hob. XVI:37\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata E flat major Hob. XVI:38\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata G major Hob. XVI:39\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata c minor Hob. XVI:20\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":36667480703141,"sku":"HN 240","price":62.7,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/HN0240-page-001.jpg?v=1602387888"},{"product_id":"johannes-brahms-violin-sonatas","title":"JOHANNES BRAHMS: Violin Sonatas","description":"\u003cp data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ewith marked and unmarked string parts\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eJohannes Brahms began to manifest a keen interest in the genre of the violin sonata at an early age. In fall 1853 he offered the Leipzig publisher a violin sonata in a minor. The work was turned down, however, and the self-critical Brahms must have destroyed it himself later. He ultimately wrote his three major sonatas during his years of maturity: op. 78 in the summers of 1878\/79, opp. 100 and 108 in the summer of 1886.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Scherzo in c minor was Brahms’ contribution to the violin sonata which he composed jointly with Robert Schumann and Albert Dietrich in 1853 as a surprise gift for the violinist Joseph Joachim, and which is known under the name “F. A. E. Sonata.” With its sharp contrasts between the furious Allegro and emotional Più moderato sections, the Scherzo piece is a beloved bravura showcase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata G major op. 78\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"1\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata A major op. 100\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata d minor op. 108\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eScherzo c minor WoO 2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37120029196457,"sku":"HN194","price":44.2,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/BrahmsViolinSonata.jpg?v=1603597315"},{"product_id":"english-suites-4-6-bwv-809-811","title":"JOHANN SEBASTIAN BACH: English Suites 4-6, BWV 809-811","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch6\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eEnglish Suite no. 4 F major BWV 809 \u003c\/span\u003e\u003c\/h6\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch6\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eEnglish Suite no. 5 e minor BWV 810\u003c\/span\u003e\u003c\/h6\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch6\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eEnglish Suite no. 6 d minor BWV 811\u003c\/span\u003e\u003c\/h6\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37120156860585,"sku":"HN103","price":24.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/EnglishSuite4-6.jpg?v=1603600580"},{"product_id":"johann-sebastian-bach-sonatas-and-partitas-for-violin-solo","title":"JOHANN SEBASTIAN BACH: Sonatas and Partitas for Violin solo","description":"\u003cp data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ewith marked and unmarked string parts\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eBach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges. The part marked by Wolfgang Schneiderhahn accommodates practical use and includes suggestions for accords and arpeggios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item headline\"\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSonata I g minor BWV 1001\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003ePartita I b minor BWV 1002\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSonata II a minor BWV 1003\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003ePartita II d minor BWV 1004\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSonata III C major BWV 1005\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003ePartita III E major BWV 1006\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37120258244777,"sku":"HN356","price":44.2,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Sonataandpart.png?v=1603605185"},{"product_id":"robert-schumann-scenes-from-childhood-op-15","title":"ROBERT SCHUMANN: Scenes from Childhood op. 15","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“As far as the Scenes from Childhood are concerned, I owe them one of the liveliest pleasures of my life.” These words were uttered by none other than Franz Liszt. In the evenings he often enjoyed playing part of them, not only for his little daughter Blandine-Rachel but also for his own pleasure. Even today, the “Scenes from Childhood” still raise the question as to whether they were written for children or adults. Schumann himself described them as being the reminiscences of an older person for older people, but did not deny that “several children’s heads were in his mind when composing them”. Ernst Herttrich has revised our well-loved edition, incorporating the latest scholarly findings. In the appendix he also takes a stand on the metronome markings which were taken over from an early print.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"8\" class=\"content-item\"\u003e\n\u003cli\u003eVon fremden Ländern und Menschen op. 15,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCuriose Geschichte op. 15,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eHasche-Mann op. 15,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBittendes Kind op. 15,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eGlückes genug op. 15,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWichtige Begebenheit op. 15,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eTräumerei op. 15,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAm Camin op. 15,8\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRitter vom Steckenpferd op. 15,9\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFast zu ernst op. 15,10\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFürchtenmachen op. 15,11\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKind im Einschlummern op. 15,12\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eDer Dichter spricht op. 15,13\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37120274596009,"sku":"HN44","price":13.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Scenesfromchildhood1.png?v=1607229849"},{"product_id":"claude-debussy-preludes-deuxieme-livre","title":"CLAUDE DEBUSSY: Préludes, Deuxième livre","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1913, three years after publication of the Préludes I, another collection of twelve Préludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notated them on three staves. As with the first volume of Préludes the programmatic additions only appeared at the end of each piece. The cycle closes with the virtuosic and brilliant Feux d’artifice, fireworks of pianistic bravura in the true sense of the word. The piano writing and title of no. 11, Les tièrces alternées, already hints at the twelve Études of 1915 (HN 390) with which Debussy was to end his piano œuvre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"8\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eBrouillards\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFeuilles mortes\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa puerta del Vino\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLes fées sont d'exquises danseuses\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBruyères\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\"General Lavine\" - excentric\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa terrasse des audiences du clair de lune\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eOndine\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eHommage à S. Pickwick\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCanope\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLes tierces alternées\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFeux d'artifice\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37120287113385,"sku":"HN384","price":49.5,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Preludesdeuxiemelivre.jpg?v=1603606260"},{"product_id":"claude-debussy-l-isle-joyeuse","title":"CLAUDE DEBUSSY: L’Isle joyeuse","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDebussy had originally planned the work with the Suite bergamasque (HN 381) in mind, but then published it separately in October 1904, with good reason. He was so taken with the brilliance and inventiveness of the work, that he commented on it in diverse letters to his publisher Durand. In October 1904 he wrote: “How difficult it is to play. This piece seems to me to combine every way of attacking the instrument because it unites force and grace.” Following its première with the famous Catalonian virtuoso Ricardo Viñes, it quickly became a success with the public.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37213771759785,"sku":"HN386","price":16.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/0001.jpg?v=1603606492"},{"product_id":"claude-debussy-estampes","title":"CLAUDE DEBUSSY: Estampes","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the three movements Pagodes, La soirée dans Grenade (An evening in Granada) und Jardins sous la pluie (Gardens in the rain) Debussy creates a poetic world of landscapes and distant lands in the cycle Estampes. He composed the pieces in summer 1903 while he was staying in Bichain in the north of Burgundy. As he wrote in a letter at the time: “If one cannot afford to travel, one substitutes the imagination.” In the virtuosic final movement he draws on his pioneering Images from the year 1894 (HN 846).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePagodes\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa soirée dans Grenade\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eJardins sous la pluie\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37213833986217,"sku":"HN387","price":22.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Estamps.jpg?v=1603608344"},{"product_id":"claude-debussy-images-1re-serie","title":"CLAUDE DEBUSSY: Images 1re série","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Have you played the Images ...? Without undue vanity, I believe that these three pieces can hold their own and will assume a place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it.” Thus wrote Debussy in a letter to his publisher and friend Jacques Durand in 1905. Debussy’s prophecy was to become true. The pieces have become a fixed part of piano repertoire. Incidentally: for the slow movement Hommage à Rameau Debussy, an innovator who was still aware of tradition, was inspired by a performance of Castor et Pollux in 1903.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eReflets dans l'eau\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eHommage à Rameau\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMouvement\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37213858169001,"sku":"HN388","price":27.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ImagesPremiere.png?v=1603609356"},{"product_id":"johann-sebastian-bach-the-well-tempered-clavier-part-i","title":"JOHANN SEBASTIAN BACH: The Well-Tempered Clavier Part I","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (Spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"48\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePrelude C major BWV 846\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue C major BWV 846\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude c minor BWV 847\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue c minor BWV 847\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude C sharp major BWV 848\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue C sharp major BWV 848\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude c sharp minor BWV 849\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue c sharp minor BWV 849\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude D major BWV 850\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue D major BWV 850\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude d minor BWV 851\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue d minor BWV 851\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude E flat major BWV 852\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue E flat major BWV 852\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude e flat minor BWV 853\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue d sharp minor BWV 853\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude E major BWV 854\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue E major BWV 854\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude e minor BWV 855\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue e minor BWV 855\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude F major BWV856\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue F major BWV 856\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude f minor BWV 857\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue f minor BWV 857\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude F sharp major BWV 858\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue F sharp major BWV 858\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude f sharp minor BWV 859\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue f sharp minor BWV 859\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude G major BWV 860\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue G major BWV 860\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude g minor BWV 861\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue g minor BWV 861\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude A flat major BWV 862\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue A flat major BWV 862\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude g sharp minor BWV 863\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue g sharp minor BWV 863\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude A major BWV 864\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue A major BWV 864\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude a minor BWV 865\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue a minor BWV 865\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude B flat major BWV 866\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue B flat major BWV 866\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude b flat minor BWV 867\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue b flat minor BWV 867\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude B major BWV 868\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue B major BWV 868\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude b minor BWV 869\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue b minor BWV 869\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37213927932073,"sku":"HN14","price":46.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Thewell-temperedclavierpart1.jpg?v=1603612781"},{"product_id":"franz-liszt-consolations","title":"FRANZ LISZT: Consolations","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese six little piano pieces are among Liszt’s best-known works and are comparatively easy to play – a rarity amongst the composer’s often eccentric and virtuosic works. In 1844 Liszt had already begun work on the cycle that was only published in 1850. Although he had the pieces engraved, this version was never actually printed. He replaced no. 3, a precursor to the first Hungarian Rhapsody, with a piece in the style of a nocturne by Chopin (it can occasionally be heard as an encore at piano recitals), and he simplified the remaining numbers. In the second part of our edition we have reproduced the complete early version for the first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"6\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eConsolation no. 1 E major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eConsolation no. 2 E major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eConsolation no. 3 D flat major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eConsolation no. 4 D flat major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eConsolation no. 5 E major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eConsolation no. 6 E major\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37216582336681,"sku":"HN465","price":27.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/LisztConsolations.png?v=1603682320"},{"product_id":"johannes-brahms-drei-intermezzi-op-117","title":"JOHANNES BRAHMS: Drei Intermezzi Op. 117","description":"\u003cp\u003eContents：\u003c\/p\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo E flat major op. 117,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo b flat minor op. 117,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo c sharp minor op. 117,3\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37225973416105,"sku":"BH121","price":16.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/DreiIntermezziOp.117.png?v=1603858524"},{"product_id":"johannes-brahms-fantasies-op-116","title":"JOHANNES BRAHMS: Fantasies op. 116","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"detail-hero\"\u003e\n\u003cdiv class=\"column-content\"\u003e\n\u003cdiv class=\"overflow-wrapper\"\u003e\n\u003cdiv class=\"lower-part\"\u003e\n\u003cdiv class=\"article-text\"\u003e\n\u003cp\u003eJohannes Brahms presumably wrote the Fantasies op. 116 at the same time as the Intermezzi op. 117 in the summer of 1892 in Bad Ischl. His sojourn in the Salzkammergut obviously inspired Brahms to write music for solo piano, as a year later he worked on other cycles when he was there. Amongst these late melancholy piano pieces, op. 116 is in particular characterised by opposites. Four “dreamy” – according to Clara Schumann – intermezzi are juxtaposed with three “deeply passionate” capricci. Seven pieces in true Brahms’ style, which are also accessible to non-virtuosos due to their medium level of difficulty. Our revision contains the musical text of the new Brahms Complete Edition.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul data-item=\"6\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eCapriccio d minor op. 116,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo a minor op. 116,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio g minor op. 116,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo E major op. 116,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo e minor op. 116,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo E major op. 116,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio d minor op. 116,7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226243293353,"sku":"BH120\/9790201801209","price":20.9,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/FantasienOp.116.png?v=1603862401"},{"product_id":"johannes-brahms-piano-pieces-op-76","title":"JOHANNES BRAHMS: Piano Pieces op. 76","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"detail-hero\"\u003e\n\u003cdiv class=\"column-content\"\u003e\n\u003cdiv class=\"overflow-wrapper\"\u003e\n\u003cdiv class=\"lower-part\"\u003e\n\u003cdiv class=\"article-text\"\u003e\n\u003cp\u003eBrahms mainly composed the eight Piano Pieces op. 76 in summer 1878 in the summer resort of Pörtschach at Lake Wörth. Theodor Billroth, a close friend, was enthusiastic about the new works: “These are magnificent pieces, beautiful and interesting to play. They lie so well under the hand for those who are a little used to Schumann’s and Chopin’s technique that it is a pleasure to practise them.” As the volume “Piano Pieces” was published in 2011 as part of the Johannes Brahms Complete Edition (HN 6014), we are now replacing the previous volume HN 118 with this new one, presenting these “magnificent pieces” in the musical text of the Complete Edition, accompanied by revealing commentaries detailing their genesis and publication.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003e\n\u003cp class=\"price\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cspan class=\"availability available\"\u003e\u003c\/span\u003e\u003cform data-cart-url=\"\/us\/shop\/cart\/?0=\" data-detail-item=\"1184\" data-shop=\"addToCart\" data-henle-id=\"1184\" class=\"order-form\" method=\"post\" action=\"https:\/\/www.henle.de\/us\/shop\/cart\/?shop=addToCart\u0026amp;henleId=1184\"\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul data-item=\"7\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eCapriccio f sharp minor op. 76,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio b minor op. 76,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo A flat major op. 76,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo B flat major op. 76,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio c sharp minor op. 76,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo A major op. 76,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo a minor op. 76,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio C major op. 76,8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226273865897,"sku":"HN118","price":20.9,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/PianoPiecesOp.76.jpg?v=1603862820"},{"product_id":"johannes-brahms-piano-pieces-op-119","title":"JOHANNES BRAHMS: Piano Pieces op. 119","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms’ complex cosmos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo b minor op. 119,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo e minor op. 119,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo C major op. 119,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRhapsody E flat major op. 119,4\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226366107817,"sku":"HN123","price":19.8,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/PianoPiecesOp.119.png?v=1603865562"},{"product_id":"johann-sebastian-bach-the-well-tempered-clavier-part-ii-bwv-870-893","title":"JOHANN SEBASTIAN BACH: The Well-Tempered Clavier Part II BWV 870-893","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without \u003c\/span\u003e\u003cspan\u003efingerings and as study editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"column-title\"\u003ePrelude C major BWV 870\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFugue C major BWV 870\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude c minor BWV 871\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue c minor BWV 871\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude C sharp major BWV 872\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue C sharp major BWV 872\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude c sharp minor BWV 873\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue c sharp minor BWV 873\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude D major BWV 874\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue D major BWV 874\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude d minor BWV 875\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue d minor BWV 875\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude E flat major BWV 876\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue E flat major BWV 876\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude d sharp minor BWV 877\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue d sharp minor BWV 877\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude E major BWV 878\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue E major BWV 878\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude e minor BWV 879\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue e minor BWV 879\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude F major BWV 880\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue F major BWV 880\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude f minor BWV 881\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue f minor BWV 881\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude F sharp major BWV 882\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue F sharp major BWV 882\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude f sharp minor BWV 883\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue f sharp minor BWV 883\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude G major BWV 884\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue G major BWV 884\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude g minor BWV 885\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue g minor BWV 885\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude A flat major BWV 886\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue A flat major BWV 886\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude g sharp minor BWV 887\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue g sharp minor BWV 887\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude A major BWV 888\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue A major BWV 888\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude a minor BWV 889\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue a minor BWV 889\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude B flat major BWV 890\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue B flat major BWV 890\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude b flat minor BWV 891\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue b flat minor BWV 891\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePrelude B major BWV 892\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue B major BWV 892\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePrelude b minor BWV 893\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFugue b minor BWV 893\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226379739305,"sku":"HN16","price":46.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Thewell-temperedclavierpart2.jpg?v=1603866102"},{"product_id":"johann-sebastian-bach-partitas-1-3-bwv-825-827","title":"JOHANN SEBASTIAN BACH: Partitas 1-3 BWV 825-827","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach one of Bach’s six Partitas features seven great single movements, predominantly in the sequence: Präludium – Allemande – Courante – Sarabande – [two free dances] – Gigue. These partitas can justifiably be described as Bach’s “ultimate” cycle of suites. As regards the artistic and manual demands, it goes far beyond its “English” (HN 100) and “French” (HN 71) siblings that are also frequently played. It is no coincidence that Bach only had these six partitas printed (1731), and what is more as “Opus 1”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePartita 1 B flat major BWV 825\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePartita 2 c minor BWV 826\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePartita 3 a minor BWV 827\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226421518505,"sku":"HN30","price":25.3,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Partiten1-3.jpg?v=1603867483"},{"product_id":"johann-sebastian-bach-english-suites-1-3-bwv-806-808","title":"JOHANN SEBASTIAN BACH: English Suites 1-3, BWV 806-808","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach” (from our preface). The kaleidoscopic variety of the six “English” Suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eEnglish Suite no. 1 A major BWV 806\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEnglish Suite no. 2 a minor BWV 807\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEnglish Suite no. 3 g minor BWV 808\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226465263785,"sku":"HN102","price":24.2,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/EnglishSuite1-3.jpg?v=1603868252"},{"product_id":"frederic-chopin-scherzi","title":"FRÉDÉRIC CHOPIN: Scherzi","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"detail-hero\"\u003e\n\u003cdiv class=\"column-content\"\u003e\n\u003cdiv class=\"overflow-wrapper\"\u003e\n\u003cdiv class=\"lower-part\"\u003e\n\u003cdiv class=\"article-text\"\u003e\n\u003cp\u003eFrédéric Chopin’s 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a ‘joke’ is veiled in black?”. Now that the Scherzi nos. 1–4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants” and on all the textual problems they raise. This is Chopin in top form!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003eContents:\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eScherzo b minor op. 20\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eScherzo b flat minor op. 31\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eScherzo c sharp minor op. 39\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eScherzo E major op. 54\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226504192169,"sku":"HN279","price":38.5,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Scherzi.png?v=1603868822"},{"product_id":"frederic-chopin-piano-pieces","title":"FRÉDÉRIC CHOPIN: Piano Pieces","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 – the finest Chopin, available in Henle paperback, cloth-bound, and study editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"8\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eVariations brillantes B flat major op. 12\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBolero a minor op. 19\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eTarantella A flat major op. 43\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAllegro de Concert A major op. 46\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFantasy f minor op. 4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBerceuse D flat major op. 57\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBarcarolle F sharp major op. 60\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Variations on \"Der Schweizerbub\" E major KK IVa,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e3 Ecossaises D major, G major, D flat major op. 72,3\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226544562345,"sku":"HN318","price":47.3,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/0001_3.jpg?v=1603869393"},{"product_id":"frederic-chopin-rondos","title":"FRÉDÉRIC CHOPIN: Rondos","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue; but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eRondo c minor op. 1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRondo F major op. 5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRondo E flat major op. 16\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRondo C major op. post 73A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226785439913,"sku":"HN884","price":39.6,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Rondos.jpg?v=1603872426"},{"product_id":"frederic-chopin-barcarolle-f-sharp-major-op-60","title":"FRÉDÉRIC CHOPIN: Barcarolle F sharp major op. 60","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChopin’s circumstances were rather strained in 1845, so that a planned trip to Italy with George Sand looked as if it would fall through. Yet with his „Barcarolle“ he immersed himself in the atmosphere of the lagoon city Venice: the themes are reminiscent of gondolier melodies; they are carried by accompanying figures that evoke the rush of water and the sound of oars. Chopin developed the basic idea of the strophic song into exciting, highly complex music full of breaks and opposites. Revising the text of this unique work has given Henle an opportunity to also offer it separately (alongside the Chopin volume „Piano Pieces“, HN 318) and with extensive explanatory notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eBarcarolle F sharp major op. 60\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226811097257,"sku":"HN993","price":16.5,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/BarcarolleFis-durOp.60.jpg?v=1603872631"},{"product_id":"muzio-clementi-piano-sonatas-selection-volume-i-1768-1785","title":"MUZIO CLEMENTI: Piano Sonatas, Selection, Volume I (1768-1785)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMuzio Clementi was born four years before Mozart and outlived Beethoven by five. Thus this Italian pianist and composer helped fashion the entire Classical era in music. However, his pedagogical tour de force, the “Gradus ad parnassum”, has tended to negatively influence the esteem he enjoyed as an artist, something that our first volume of Clementi’s piano sonatas should help to rectify. This selection of ten moderately difficult to difficult works allows a glimpse into Clementi’s sonata workshop between 1768 and 1785. His predilection for the finer points of part-writing and contrapuntal art blend here with a formal and dignified classicism. Our carefully revised Urtext edition is based on the first versions of the pieces, published in the 1770s and 1780s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"9\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata G major WO 14\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata A major op. 2,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata B flat major Oeuvre 1,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata B flat major op. 24,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata g minor op. 7,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata g minor op. 8,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata B flat major op. 8,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata E flat major op. 9,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata A major op. 10,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata f minor op. 13,6\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226827776169,"sku":"HN317","price":47.3,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ClementiPianoSonatasVol.1.png?v=1603872933"},{"product_id":"muzio-clementi-piano-sonatas-selection-volume-ii-1790-1805","title":"MUZIO CLEMENTI: Piano Sonatas, Selection, Volume II (1790-1805)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMuzio Clementi was born four years before Mozart and outlived Beethoven by five. Thus the Italian pianist and composer helped fashion the entire Classical era in music. Following our first volume of selected piano sonatas from 1768-85, advanced pianists can become acquainted in this second volume with the unique features of eight later, harder-to-play sonatas from the second half of the composer’s creative period (1790-1805). Worthy of particular mention is the concluding Sonata in A major from Clementi’s last, crowning sonata collection, the opus 50. Dedicated to the congenial Luigi Cherubini, it combines poetry, deep earnestness, compositional artistry, and pianistic brilliance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"7\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata f sharp minor op. 25,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata D major op. 25,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata g minor op. 34,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata G major op. 37,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata G major op. 40,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata b minor op. 40,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata E flat major op. 41\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata A major op. 50,1\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226843832489,"sku":"HN330","price":68.2,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ClementiPianoSonatasVol.2.jpg?v=1603873206"},{"product_id":"bohemian-violin-sonatas-volume-i","title":"BOHEMIAN: VIOLIN SONATAS Volume I","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe names of the composers included here read like a “Who is Who” of the heyday of Bohemian musicians and composers from the 18th and beginning of the 19th century. They include F. Benda, J. Stamitz, J. L. Dussek and J. B. Vanhal, in their time names that were known throughout Europe, and who predominantly worked at noteworthy courts in different countries. Today their music is largely overshadowed by that of Haydn, Mozart and Beethoven. Yet the Bohemians particularly excelled as far as the violin sonata was concerned. Our two volume edition will provide the curious (and indeed already quite advanced) violinist with a colourful bouquet of worthwhile discoveries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePP33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"4\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eWenzeslaus Wodiczka\u003c\/em\u003e\u003cbr\u003eViolin Sonata G major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eFranz Benda\u003c\/em\u003e\u003cbr\u003eViolin Sonata C major (First Edition)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eJohann Baptist Georg Neruda\u003c\/em\u003e\u003cbr\u003eViolin Sonata a minor (First Edition)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eJohann Stamitz\u003c\/em\u003e\u003cbr\u003eViolin Sonata D major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eAnton Kammel\u003c\/em\u003e\u003cbr\u003eViolin Sonata A major\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226907992233,"sku":"HN334","price":49.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ViolinSonata1.png?v=1603874124"},{"product_id":"bohemian-violin-sonatas-volume-ii","title":"BOHEMIAN: VIOLIN SONATAS Volume II","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe names of the composers included here read like a “Who is Who” of the heyday of Bohemian musicians and composers from the 18th and beginning of the 19th century. They include F. Benda, J. Stamitz, J. L. Dussek and J. B. Vanhal, in their time names that were known throughout Europe, and who predominantly worked at noteworthy courts in different countries. Today their music is largely overshadowed by that of Haydn, Mozart and Beethoven. Yet the Bohemians particularly excelled as far as the violin sonata was concerned. Our two volume edition will provide the curious (and indeed already quite advanced) violinist with a colourful bouquet of worthwhile discoveries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePP33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eJohann Ladislaus Dussek\u003c\/em\u003e\u003cbr\u003eViolin Sonata B flat major op. 69,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eJoseph Mysliweczek\u003c\/em\u003e\u003cbr\u003eViolin Sonata D major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eJoseph Anton Steffan\u003c\/em\u003e\u003cbr\u003eViolin Sonata B flat majeur (First Edition)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\n\u003cem class=\"composer-name\"\u003eJohann Baptist Vanhal\u003c\/em\u003e\u003cbr\u003eViolin Sonata d minor op. 43,3\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37226917068969,"sku":"HN335","price":51.7,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ViolinSonata2.jpg?v=1603874373"},{"product_id":"ludwig-van-beethoven-bagatelle-in-a-minor-woo-59-fur-elise","title":"LUDWIG VAN BEETHOVEN: Bagatelle in a minor WoO 59 (Für Elise)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere are probably very few piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”? And whom might Beethoven have actually meant? The most recent findings with regard to these questions are documented in our Henle Urtext edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eBagatelle (Für Elise) a minor WoO 59\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227040964777,"sku":"HN128","price":8.8,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/PianoPiecesinaminorWoO59.jpg?v=1603875688"},{"product_id":"ludwig-van-beethoven-piano-sonatas-volume-ii","title":"LUDWIG VAN BEETHOVEN: Piano Sonatas, Volume II","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eG. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert, Claudio Arrau, Conrad Hansen and Artur Schnabel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBeethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"16\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata G major op. 31,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Tempest) d minor op. 31,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Hunting) E flat major op. 31,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata g minor op. 49,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata G major op. 49,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Waldstein Sonata) C major op. 53\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata F major op. 54\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Appassionata) f minor op. 57\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (A Thérèse) F sharp major op. 78\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Sonatina) G major op. 79\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Les Adieux) E flat major op. 81a\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata e minor op. 90\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata A major op. 101\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata (Hammerklavier) B flat major op. 106\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata E major op. 109\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata A flat major op. 110\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata c minor op. 111\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227126948009,"sku":"HN34","price":75.9,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/BeethovenPianoSonatasVol2.png?v=1603876777"},{"product_id":"frederic-chopin-polonaises","title":"FRÉDÉRIC CHOPIN: Polonaises","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe polonaise made its first appearances in stylized dance music in the late 16th century. With his own polonaises, Chopin also declared his allegiance to his native Poland. In a way, the genre had fascinated him since his childhood. His earliest printed work was a Polonaise (KK IIa no. 1 in g minor), which he had written at the age of seven. The first three posthumously published Polonaises op. 71 as well as KK IVa nos. 1–3, 5 and 8 are juvenilia from the Warsaw years. The mature works begin with the seven great Polonaises op. 26 nos. 1 and 2, op. 40 nos. 1 and 2, op. 44 and 53, and, above all, the Polonaise-Fantaisie op. 61 of 1845\/46, Chopin’s last great piano work. With their mixture of festiveness and refinement, of power and suppleness, of heroic pathos and graceful charm, they all testify to the inimitable artistry of this great composer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"16\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePolonaise (Dramatique) c sharp minor op. 26,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise e flat minor op. 26,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise (Militaire) A major op. 40,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise c minor op. 40,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise f sharp minor op. 44\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise A flat major op. 53\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise (Polonaise-Fantaisie) A flat major op. 61\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise d minor op. 71,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise B flat major op. 71,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise (Version 1: autograph) f minor op. 71,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise (Version 2: Fontana) f minor op. 71,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise g minor KK IIa,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise B flat major KK IVa,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise A flat major KK IVa,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise g sharp minor KK IVa,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise b flat minor KK IVa,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePolonaise G flat major KK IVa,8\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227154702505,"sku":"HN217","price":46.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ChopinPolonaisen.jpg?v=1603877109"},{"product_id":"frederic-chopin-mazurkas","title":"FRÉDÉRIC CHOPIN: Mazurkas","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNext to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"59\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eMazurka f sharp minor op. 6,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c sharp minor op. 6,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka E major op. 6,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka e flat minor op. 6,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B flat major op. 7,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka a minor op. 7,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka f minor op. 7,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major op. 7,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka op. 7,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B flat major op. 17,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka e minor op. 17,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major op. 17,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka op. 17,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka g minor op. 24,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka C major op. 24,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major op. 24,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka op. 24,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c minor op. 30,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka op. 30,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka D flat major op. 30,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c sharp minor op. 30,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka g sharp minor op. 33,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka op. 33,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka C major op. 33,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka b minor op. 33,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka e minor op. 41,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B major op. 41,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major op. 41,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c sharp minor op. 41,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka G major op. 50,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major op. 50,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c sharp minor op. 50,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B major op. 56,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka C major op. 56,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c minor op. 56,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka a minor op. 59,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major op. 59,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka f sharp minor op. 59,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B major op. 63,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka f minor op. 63,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka c sharp minor op. 63,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka G major op. 67,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka g minor op. 67,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka C major op. 67,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka a minor op. 67,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka C major op. 68,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka a minor op. 68,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka F major op. 68,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka f minor op. 68,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka G major KK IIa,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B flat major KK IIa,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka a minor KK IIb,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka a minor KK IIb,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka D major KK IVb,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka B flat major KK IVb,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka C major KK IVb,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMazurka A flat major KK IVb,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Mazurka op. 7,4a\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Mazurka KK IVa, 7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Mazurka op. 7,2a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227396038825,"sku":"HN264","price":59.4,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/ChopinMazuka.png?v=1603879908"},{"product_id":"claude-debussy-preludes-premier-livre","title":"CLAUDE DEBUSSY: Préludes, Premier livre","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter several single pieces and several smaller piano cycles, in 1910 the recently composed Préludes, Premier Livre was published. The title draws on a traditional form, following Chopin’s example. In addition Debussy discreetly characterized his Préludes by dispensing with titles but giving the pieces programmatic directions at the end of each Prélude. This first volume became an immediate success and even today is considered to be the epitome of Debussy’s piano artistry. Some of these more substantial pieces are also within reach of those who do not intend to become concert pianists.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"12\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eDanseuses de Delphes\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eVoiles\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLe Vent dans la plaine\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLes Sons et les parfums\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLes Collines d'Anacapri\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eDes Pas sur la neige\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCe qu'a vu le vent d'ouest\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa Fille aux cheveux de lin\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa Sérénade interrompue\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa Cathédrale engloutie\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLa Danse de Puck\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMinstrels\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227485790377,"sku":"HN383","price":42.9,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/DebussyPreludes.jpg?v=1603880862"},{"product_id":"claude-debussy-images-2e-serie","title":"CLAUDE DEBUSSY: Images 2e série","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cycle with three movements, composed at the end of 1907 and published at the beginning of the next year, contains a singular innovation: Debussy notated the highly differentiated piano part that goes into the extreme registers on three staves. The first movement (Cloches à travers les feuilles) is reminiscent of a deathknell, the second (Et la lune descend sur le temple qui fut) conjures up far-off India or also China; and as for the third movement (Poissons d’or) Debussy was inspired by an enamel painting of goldfish in his study. The dedicatee of the third movement, Ricardo Viñes, gave the first performance of the cycle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eCloches à travers les feuilles\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEt la lune descend sur le temple qui fut\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePoissons d'or\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227509711017,"sku":"HN389","price":27.5,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/DebussyImages.jpg?v=1603881168"},{"product_id":"claude-debussy-douze-etudes","title":"CLAUDE DEBUSSY: Douze Etudes","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDebussy composed this cycle, and other masterful late works, in the summer of 1915. He had withdrawn to a country house near Dieppe with his family and composed with fevered concentration. The self-critical composer was very proud of his Études: “I confess that I am pleased to have created a work which – false vanity aside – will occupy a special niche. In point of technique these Études will usefully prepare pianists for a better understanding of the fact that the portals of music can only be opened with formidable hands.” Debussy’s Études are today a milestone along the path of those desirous of becoming concert pianists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"12\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePour les \"cinq doigts\" d'après Monsieur Czerny\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les tierces\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les quartes\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les sixtes\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les octaves\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les huit doigts\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les degrés chromatiques\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les agréments\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les notes répétées\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les sonorités opposées\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les arpèges composés\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePour les accords\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227594121385,"sku":"HN390","price":49.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/DebussyDouzeEtudes.png?v=1603882378"},{"product_id":"franz-liszt-rhapsodie-espagnole","title":"FRANZ LISZT: Rhapsodie espagnole","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiszt’s piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies, yet employ folk dances and songs as their source material. Completed in 1864, Rhapsodie espagnole is a late reminiscence of Liszt’s extended travels to Spain and Portugal in 1844–45. On the basis of two popular Iberian dance tunes, Folia and Jota, Liszt here sets off fireworks of representative rhythms and tone colours with a highly virtuosic presto finale. The long inaccessible autograph manuscript of the composition is now accessible once more – an occasion for G.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eRhapsodie espagnole\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227606081705,"sku":"HN764","price":24.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/LisztRhapsodieespagnole.jpg?v=1603882609"},{"product_id":"franz-liszt-annees-de-pelerinage-premiere-annee-suisse","title":"FRANZ LISZT: Années de Pèlerinage, Première Année - Suisse","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1835\/1836 Liszt was staying in Switzerland with his mistress Marie Comtesse d’Agoult. He published his bold, avant-garde musical portrayal of his travels in the Swiss mountains in 1842 under the title Album d’un Voyageur. Around 1850 the one-time enfant terrible had become a mature composer. Liszt reworked his early compositions and published them in 1855 as Années de Pèlerinage, Erstes Jahr, Schweiz. The showpiece in the collection is the naturalistic and poetic Vallée d’Obermann after the novel by Senancourt; the early version is also reproduced in the appendix to our edition (single edition with extensive commentary of the 1855 version HN 813).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"9\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eChapelle de Guillaume Tell\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAu lac de Wallenstadt\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePastorale\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAu bord d'une source\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eOrage\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eVallée d'Obermann\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEglogue\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLe mal du pays\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLes cloches de Genève\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Vallée d'Obermann (early version based on the Haslinger edition of 1842)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227616862377,"sku":"HN173","price":44.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/LisztAnneedePelerinage.jpg?v=1603882816"},{"product_id":"franz-liszt-annees-de-pelerinage-deuxieme-annee-italie","title":"FRANZ LISZT: Années de Pèlerinage, Deuxième Année - Italie","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBetween 1837–39 Liszt was travelling through Italy with Marie d’Agoult. As was the case with the first volume of the Années de Pèlerinage, Schweiz (1835\/36) he once again recorded his travel impressions in musical form. He devoted himself to subjects from literature (Petrarca, Dante) and the visual arts (Raffael, Michelangelo). Many years later Liszt reworked the pieces, publishing them in 1858 as Années de Pèlerinage, Zweites Jahr, Italien. The central work in this volume is the large-scale so-called Dante Sonata (Après une Lecture de Dante, see also single edition HN 981). The Sonetto 104 del Petrarca (also available as a single edition HN 982) is just as popular. In 1861 Liszt published an appendix to Volume II, Venezia e Napoli, which is also available as a separate edition HN 985.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"6\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSposalizio\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIl Penseroso\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCanzonetta del Salvator Rosa\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFirst Petrarch Sonnet\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSecond Petrarch Sonnet\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eThird Petrarch Sonnet\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAprès une Lecture du Dante - Fantasia quasi Sonata\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227627872425,"sku":"HN174","price":36.3,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/LisztAnneedePelerinageItalie.jpg?v=1603883004"},{"product_id":"franz-liszt-annees-de-pelerinage-troisieme-annee","title":"FRANZ LISZT: Années de Pèlerinage, Troisième Année","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1883 the third volume of Années de Pèlerinage was published. Whereas the pieces in Volumes I and II were recollections of early travels in Switzerland and Italy, the new works, composed between 1867 and 1877, were more of a religious pilgrimage. Some parts already reflect Liszt’s austere later compositional style. With the visionary Jeux d’eaux à la Villa d’Este, on the other hand, he almost enters the world of Impressionist sounds (it inspired Ravel to write his Jeux d’eau). The Bible quotation about the “water of life”, contained in a footnote, leaves no doubt as to the spiritual dimension of the piece (also available in a separate edition HN 983).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"6\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eAngelus! Prière aux anges gardiens\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAux Cyprès de la Villa d'Este 1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAux Cyprès de la Villa d'Este 2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLes jeux d'eaux à la Villa d'Este\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSunt lacrymae rerum en mode hongrois\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMarche funèbre\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSursum corda\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227653365929,"sku":"HN175","price":36.3,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/LisztAnneedePelerinageTroisieme.jpg?v=1603883275"},{"product_id":"franz-liszt-ballades","title":"FRANZ LISZT: Ballades","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiszt wrote his two Ballades in 1845–49 and 1853 during a time of personal turmoil. The successful virtuoso increasingly saw himself as a composer who strove after formal clarity, as shown by the B minor sonata that was also composed in 1853. When Liszt began work on the first Ballade, he had just separated from his mistress of many years, Marie Comtesse d’Agoult. He called the first sketches for the work Dernières Illusions. A better-known work is the second Ballade in B minor, with whose ending he struggled (the two fortissimo endings in Liszt’s autograph have been published for the first time in the appendix to our edition).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"1\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eBallad I (1849) D flat major\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBallad II (1854) b minor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227663229097,"sku":"HN490","price":34.1,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/LisztBalladen.jpg?v=1603883431"},{"product_id":"mendelssohn-selected-piano-works","title":"Mendelssohn: Selected Piano Works","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227763302569,"sku":"HN281","price":62.7,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/MendelssohnSelectedPianoWorks.png?v=1603884274"},{"product_id":"felix-mendelssohn-bartholdy-piano-works-volume-iii-songs-without-words","title":"FELIX MENDELSSOHN BARTHOLDY: Piano works, Volume III - Songs without words","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his “Lieder ohne Worte”, he effusively thanked him for this gift. However, the gift that Mendelssohn, in his turn, made to posterity with these Songs Without Words could probably not have been foreseen even by him at the time. These “Original Melodies”, “Romanzen” or “Clavierstücke”, which only later gained the title “Lieder ohne Worte”, enjoyed great success during the composer’s lifetime, and should be included amongst the most rewarding pieces of 19th-century piano literature. Our volume contains the complete “Lieder ohne Worte” published during his lifetime and posthumously.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"57\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 19\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E major op. 19,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 19,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 19,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 19,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words f sharp minor op. 19,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Venetian Gondola Song) g minor op. 19,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Word op.30\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 30,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words b flat minor op. 30,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E major op. 30,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words b minor op. 30,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words D major op. 30,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Venetian Gondola Song) f sharp minor op. 3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 38\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 38,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words c minor op. 38,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E major op. 38,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 38,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 38,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Duetto) A flat major op. 38,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 53\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A flat major op. 53,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 53,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words g minor op. 53,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words F major op. 53,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 53,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 53,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 62\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words G major op. 62,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words B flat major op. 62,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words e minor op. 62,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words G major op. 62,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Venetian Gondola Song) a minor op. 62,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Spring Song) A major op. 62,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 67\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 67,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words f sharp minor op. 67,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words B flat major op. 67,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words C major op. 67,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words b minor op. 67,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E major op. 67,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 85\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words F major op. 85,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 85,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 85,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words D major op. 85,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 85,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words B flat major op. 85,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eSongs without Words op. 102\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words e minor op. 102,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words D major op. 102,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words C major op. 102,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words g minor op. 102,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 102,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words C major op. 102,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Rider's Song) d minor\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Song without Words (version of the english First Edition) b minor op. 30,4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"58\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Song without Words (version of a transcription by Carl Klingemann) B flat major op. 85,6\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"59\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Song without Words (version of later autograph) D major op. 102,2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227892572329,"sku":"HN327","price":57.2,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/MendelssohnSongswithoutwords.png?v=1603885346"},{"product_id":"wolfgang-amadeus-mozart-10-variations-on-unser-dummer-pobel-k-455","title":"WOLFGANG AMADEUS MOZART: 10 Variations on “Unser dummer Pöbel” K. 455","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is said that in a recital given on 23 March 1783 with the celebrated composer Christoph Willibald Gluck most likely in attendance, Mozart improvised variations on the song “Unser dummer Pöbel meint” from Gluck’s Singspiel “Die Pilgrime von Mekka”. He later put them to paper and had them printed three years later. It is quite possibly Christoph Willibald Gluck’s celebrity that was responsible for K. 455 being one of Mozart’s musically most demanding variation cycles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003e10 Piano Variations on “Unser dummer Pöbel meint” KV 455\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227925897385,"sku":"HN189","price":16.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/MozartZehnVariationsKV455..png?v=1603885797"},{"product_id":"wolfgang-amadeus-mozart-violin-sonatas-volume-ii","title":"WOLFGANG AMADEUS MOZART: Violin Sonatas, Volume II","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolume II contains the six sonatas which Mozart had selected for publication in 1781 as Opus II by Artaria in Vienna. They are dedicated to his pupil Josepha Barbara Aurnhammer, a talented pianist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"5\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Aurnhammer) C major op. II \/ KV 296\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Aurnhammer) F major op. II \/ KV 376 (374d)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Aurnhammer) F major op. II \/ KV 377 (374e)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Aurnhammer) B flat major op. II \/ KV 378 (317d)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Aurnhammer) G major op. II \/ KV 379 (373a)\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Aurnhammer) E flat major op. II \/ KV 380 (374f)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37227954798761,"sku":"HN78","price":41.9,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/MozartSonatas3.png?v=1603886173"},{"product_id":"wolfgang-amadeus-mozart-violin-sonatas-volume-iii","title":"WOLFGANG AMADEUS MOZART: Violin Sonatas, Volume III","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eContrary to the earlier violin sonatas, which were issued in cyclical groups of four or six pieces, Mozart had all the sonatas in this volume printed as single works, perhaps a sign of the significance he assigned to them – especially to the first three. These three grandiose works all bear traits of Mozart’s mature mastery. The Sonata K. 547, in turn, was designated by Mozart himself in his personal work catalogue as “little klavier sonata for beginners with a violin.” – For the sake of completion and because of its popularity, the arrangement of the B flat major piano sonata K. 570 is reproduced in the Appendix, although it is in all likelihood a spurious work not written by Mozart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"4\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Later Viennese) B flat major KV 454\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Later Viennese) E flat major KV 481\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Later Viennese) A major KV 526\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Later Viennese) F major KV 547\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Violin Sonata (Later Viennese) B flat major KV 570\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228018958505,"sku":"HN79","price":37.4,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/MozartSonatas3...png?v=1603886534"},{"product_id":"wolfgang-amadeus-mozart-9-variations-on-a-minuet-by-duport-k-573","title":"WOLFGANG AMADEUS MOZART: 9 Variations on a Minuet by Duport K. 573","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is said that in a recital given on 23 March 1783 with the celebrated composer Christoph Willibald Gluck most likely in attendance, Mozart improvised variations on the song “Unser dummer Pöbel meint” from Gluck’s Singspiel Die Pilgrime von Mekka. He later put them to paper and had them printed three years later. It is quite possibly Christoph Willibald GlIn April and May 1789, Mozart, along with Prince Lichnowsky, undertook a journey via Dresden and Leipzig to Berlin, where he presumably played before the Prussian King Friedrich Wilhelm II. No doubt as a friendly homage to the royal chamber music director and cellist Jean-Pierre Duport, he anticipated his meeting by writing – during the journey – nine variations on a Minuet, also by Duport. Today they belong among Mozart’s most beloved variation cycles. uck’s celebrity that was responsible for K. 455 being one of Mozart’s musically most demanding variation cycles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003e9 Piano Variations on a Minuet by Duport KV 573\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228036161705,"sku":"HN190","price":16.5,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/MozartKV573.jpg?v=1603886690"},{"product_id":"franz-schubert-piano-sonatas-volume-ii","title":"FRANZ SCHUBERT: Piano Sonatas, Volume II","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year-old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolume II of the three-book Henle Urtext edition contains not only the G major Sonata D 894 op. 78, with its glorious piano writing full of delicate expressiveness, but also the three great sonata masterpieces in c minor, A major and B flat major, with which Schubert looks far into the future and which have long since taken their place in the classical canon of piano sonata literature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata G major op. 78 D 894\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata c minor D 958\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata A major D 959\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePiano Sonata B flat major op. post. D 960\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228077154473,"sku":"HN148","price":52.8,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/SchubertPianoSonatas2.jpg?v=1603886885"},{"product_id":"robert-schumann-flower-piece-d-flat-major-op-19","title":"ROBERT SCHUMANN: Flower Piece D flat major op. 19","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"detail-hero\"\u003e\n\u003cdiv class=\"column-content\"\u003e\n\u003cdiv class=\"overflow-wrapper\"\u003e\n\u003cdiv class=\"lower-part\"\u003e\n\u003cdiv class=\"article-text\"\u003e\n\u003cp\u003eOur series of revised Schumann editions continues with this delicately wrought set of variations. “Opus 18 and 19 are frail things for ladies”: thus, with a wink of the eye, Schumann alluded to his wish to become “the favourite composer of every woman in Vienna.” In fact, at this time he was having trouble making headway in Vienna at all, and his dream of settling there with Clara was fading fast. The work takes its distinctive lyrical flavour from the fact that he may have wanted to accommodate the lighter Viennese taste.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003e\u003cform data-cart-url=\"\/us\/shop\/cart\/?0=\" data-detail-item=\"90\" data-shop=\"addToCart\" data-henle-id=\"90\" class=\"order-form\" method=\"post\" action=\"https:\/\/www.henle.de\/us\/shop\/cart\/?shop=addToCart\u0026amp;henleId=90\"\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eFlower Piece (Blumenstück) op. 19\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228083609769,"sku":"HN90","price":10.25,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/SchumannFlowerOp19.jpg?v=1603887063"},{"product_id":"robert-schumann-night-pieces-op-23","title":"ROBERT SCHUMANN: Night Pieces op. 23","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. “Writing a ‘Corpse Fantasy’ since Monday,” he wrote in his diary on 31 March. While he was preparing the composition for publication three-quarters of a year later, he chose the title “Night Pieces” with reference to E. T. A. Hoffmann. However, Schumann probably did not want the work to be perceived as being so nocturnal and dark, because he associated with it the desire that it should “pleasantly remind” one of his brother, who had in the meantime died. We are now publishing it in a newly revised version by Ernst Herttrich reflecting the latest in scholarly research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"4\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eMehr langsam, oft zurückhaltend op. 23,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMarkiert und lebhaft op. 23,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMit großer Lebhaftigkeit op. 23,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEinfach op. 23,4\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228108546217,"sku":"HN104","price":12.5,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/SchumannOp.23.jpg?v=1603887360"},{"product_id":"robert-schumann-fantasy-pieces-op-12-with-appendix-posthumous-piece","title":"ROBERT SCHUMANN: Fantasy Pieces op. 12 (with Appendix: posthumous piece)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"detail-hero\"\u003e\n\u003cdiv class=\"column-content\"\u003e\n\u003cdiv class=\"overflow-wrapper\"\u003e\n\u003cdiv class=\"lower-part\"\u003e\n\u003cdiv class=\"article-text\"\u003e\n\u003cp\u003e“With humor, ”slow and tender, “extremely brisk”: the very expression marks of the op. 12 “Fantasy Pieces” illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition presents not only the eight original pieces, but also an appendix containing a ninth piece that Schumann excised during the final stages of publication. Several of the composer’s friends, including the work’s dedicatee Robena Ann Laidlaw, played some of op. 12 in public before it appeared in print. Later the work achieved rapid and widespread popularity. Perhaps the greatest compliment came from Franz Liszt, who excitedly wrote to the composer, “Your ‘Fantasy Pieces’ have captured my interest in an extraordinary way. I play them truly with delight, and Lord knows there are not many things of which I can say the same.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003e\n\u003cp class=\"price\"\u003e \u003c\/p\u003e\nContents:\u003cform data-cart-url=\"\/us\/shop\/cart\/?0=\" data-detail-item=\"91\" data-shop=\"addToCart\" data-henle-id=\"91\" class=\"order-form\" method=\"post\" action=\"https:\/\/www.henle.de\/us\/shop\/cart\/?shop=addToCart\u0026amp;henleId=91\"\u003e\u003c\/form\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003e\n\u003cul data-item=\"9\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eDes Abends op. 12 Heft 1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAufschwung op. 12 Heft 1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWarum? op. 12 Heft 1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eGrillen op. 12 Heft 1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIn der Nacht op. 12 Heft 2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFabel op. 12 Heft 2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eTraumes Wirren op. 12 Heft 2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEnde vom Lied op. 12 Heft 2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix WoO 28\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228128207017,"sku":"HN91","price":23.1,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/Schumannfantasiestucke.jpg?v=1603887579"},{"product_id":"robert-schumann-album-for-the-young-op-68","title":"ROBERT SCHUMANN: Album for the Young op. 68","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrtext Edition, paperbound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInitially only conceived as a birthday album for his daughter Marie, Schumann’s “Pieces for Piano” op. 68 received tremendous acclaim throughout the world. Is there a piano student who has not played part of them? It is, however, a less well-known fact that Schumann also composed a “music historical course of instruction” for the piano in this connection. We have included this and other pieces originally intended for the “Album” in the appendix to our painstakingly revised edition. Rounded off by the inclusion of Ludwig Richter’s illustration for the title page of the first edition and the trilingual print of the “Advice to Young Musicians”, our Urtext edition offers a vivid picture of middle-class musical culture in Schumann’s times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"62\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eMelodie op. 68,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSoldatenmarsch op. 68,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eTrällerliedchen op. 68,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEin Choral op. 68,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eStückchen op. 68,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eArmes Waisenkind op. 68,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eJägerliedchen op. 68,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWilder Reiter op. 68,8\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eVolksliedchen op. 68,9\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFröhlicher Landmann, von der Arbeit zurückkehrend op. 68,10\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSicilianisch op. 68,11\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKnecht Ruprecht op. 68,12\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMai, lieber Mai, - Bald bist du wieder da! op. 68,13\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKleine Studie op. 68,14\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFrühlingsgesang op. 68,15\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eErster Verlust op. 68,16\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKleiner Morgenwanderer op. 68,17\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSchnitterliedchen op. 68,18\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKleine Romanze op. 68,19\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLändliches Lied op. 68,20\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e*** op. 68,21\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRundgesang op. 68,22\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eReiterstück op. 68,23\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eErnteliedchen op. 68,24\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNachklänge aus dem Theater op. 68,25\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e*** op. 68,26\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCanonisches Liedchen op. 68,27\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eErinnerung op. 68,28\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFremder Mann op. 68,29\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e*** op. 68,30\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKriegslied op. 68,31\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSheherazade op. 68,32\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\"Weinlese - fröhliche Zeit!\" op. 68,33\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eThema op. 68,34\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMignon op. 68,35\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLied italienischer Marinari op. 68,36\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMatrosenlied op. 68,37\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWinterszeit I op. 68,38\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWinterszeit II op. 68,39\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eKleine Fuge op. 68,40\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNordisches Lied op. 68,41\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFigurierter Choral op. 68,42\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSylvesterlied op. 68,43\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAuf der Gondel op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBärentanz op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFür ganz Kleine op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eGukkuk im Versteck op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eHaschemann op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e*** C major op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e*** G major op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eLagune in Venedig op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e*** A major op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePuppenschlafliedchen op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRebus op. 68 Anhang I\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEin Thema von G.F. Händel op. 68 Anhang II\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEin Stückchen von J.S. Bach op. 68 Anhang II\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e[Ein Stückchen von Gluck] op. 68 Anhang II\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEin Stückchen von Mozart op. 68 Anhang II\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e[Ein Stückchen von Beethoven] op. 68 Anhang II\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eEin Trinklied von C.M. v. Weber op. 68 Anhang II\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEine berühmte Melodie von L. van Beethoven op. 68 Anhang II\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEin Ländler von Franz Schubert op. 68 Anhang II\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37228154978473,"sku":"HN45","price":25.3,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/SchumannAlbumforyongOp.68.jpg?v=1603887941"},{"product_id":"frederic-chopin-piano-sonata-b-minor-op-58","title":"FRÉDÉRIC CHOPIN: Piano Sonata b minor op. 58","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe early piano trio, the two piano concertos, the three piano sonatas and the late cello sonata op. 65 comprise Chopin’s few contributions to sonata form, the principal form of the Classical era. Especially the two Piano Sonatas opp. 35 and 58 fully deserve their reputation as two of Chopin’s most distinctive creations.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChopin composed the Sonata in b minor op. 58 in 1844 at the country estate of George Sand in Nohant. This piece may be somewhat more conventional than the earlier b flat minor one, but Chopin shows in it that, contrary to the occasionally expressed view that strict (sonata) form was not to his liking, he most certainly mastered this genre, too, and was able to express himself as genuinely and intensely as in the smaller romantic character pieces.\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":37531019215017,"sku":"HN290","price":19.8,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/products\/PianoSonatabminorop.58.jpg?v=1605415183"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/1809\/5449\/collections\/hanle_logo.jpg?v=1602387145","url":"https:\/\/msworks.store\/collections\/g-henle-verlag\/urtext.oembed?page=2","provider":"MS WORKS Pte Ltd","version":"1.0","type":"link"}